Dressed for Space
26.04.25-00.00.25
Initiated by FORM & 0—1 Gallery
AI is rising. Not just in labs or behind screens, but in the rooms we walk through, the images we scroll past, the way we remember things. The line between what’s made by hand and what’s generated by code is thinner than ever. In Dressed for Space, that boundary is warped, stretched, and sometimes erased altogether.
This isn’t your regular white-cube show. There’s no clear start or end, no neat stages like “installation” or “opening.” Instead, things move. Walls shift, objects are reassembled, artworks rearranged — all guided by an ongoing conversation with artificial intelligence. What you see might be real, might be altered. Might be both.
The project begins in a clean-lined gallery in Amsterdam (PS). It will pass through three spaces in total — two of them still unnamed, like distant planets not yet on the map. Each stop may change the way the works exist. Context becomes a collaborator.
At the core of Dressed for Space is documentation — not as an afterthought, but as a living, breathing part of the exhibition. Images are generated, tweaked, reimagined. Some are altered by AI. Others stay raw. Together, they build an archive where memory and manipulation overlap.
The collaboration between FORM and 0—1 brings together two platforms drawn to thresholds: FORM with its experimental minimalism and AI-driven processes; 0—1 with its focus on nature, future technologies, and how art exists in a world that’s constantly shifting.
The result is a kind of expanded exhibition — one that keeps slipping between spaces, between images, between versions of itself.
Featuring works by: Erris Huigens, Felipe van Laar, Julia Taszycka, Manor Grunewald, and Marius Lut.
(Text by 0—1)