FORM is an independent research platform dedicated to contemporary art, with a systematic focus on artificial intelligence as a curatorial device.

In an era dominated by technical images—produced no longer by the human hand but by programmed apparatuses—documentation ceases to be a mere passive record and becomes a creative, unstable, and performative act. The image no longer faithfully represents what once was; instead, it generates new versions of the visible: altering scale, time, and perspective, introducing controlled anomalies, and collapsing spatial hierarchies.

Here, documentation becomes meta-documentation: a hybrid territory where the artwork and its transmission merge, where context transforms into choreography and the image functions as an active device. Exhibitions—often held in ambiguous, empty, audience-less, or mobile spaces—serve as tools to probe the structural instability of the digital artistic experience. Artificial intelligence operates as a collaborative language and critical agent: not a neutral tool, but a productive anomaly that disrupts conventional visual codes, exposes mechanisms of visibility, and unlocks non-linear narratives.

FORM collaborates with artists to develop projects centered on sequences of images, placing the documentation of the artwork at the core of the experience—whether the process is physical, digital, or AI-driven is secondary. What matters is opening up the flow of image production and linking it to notions of artworks and exhibitions, blending derivatives with original starting points to multiply possibilities. We embrace glitches, intentional errors, and mutations as forms of resistance against the unfortunate stagnation that today pervades all sectors of the art world.

In this universe of calculated images, art is not consumed: it is played, deconstructed, and reinvented—both against and alongside the programs that generate it.

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